Nagara style of temple architecture have very beautiful temples.

Nagara Style of Temple Architecture in India

Nagara style is one of the styles of temple architecture. It is the temple construction style of North India. In this style of the temple, there is only one peak or Shikhara.

The major example of the temple of Nagara Style is Sun Temple at Modhera, Sun Temple at Khajuraho, Jagannath Temple at Puri, etc.

Key Features of Hindu Temples

There are some common elements of every Hindu temple, across the country irrespective of the architectural style. 

These can be mentioned as follows:

Sketch of Nagara Style of Temple Architecture
  • Garbagriha – It is the main part of the temple. It is the place the chief deity lives. The word Garbagriha means “womb chamber”. 
  • Pradikshina Patha – It is a circumambulatory path around the Garbagriha.
  • Mandapa – It is a columned hall where devotees gather for prayers. At times, temples may have more than one mandapa of varied sizes. On the basis of their sizes, mandapas are named Ardhamandapa, Mandapa, and Mahamandapa. 
This sketch shows us Nagara Style of Temple
  • Shikara or Vimana – The spire standing like a mountain is known as Shikara (north) or Vimana (south). While the Vimana is pyramidal, the Shikara is a curved structure.
  • Amalaka – It is a disc made of stone atop which the Kalash (Kalasha) sits. It is mostly found in the Shikaras of northern temples.  
  • Kalash or Kalasha – It is a pot-shaped formation above the Amalaka which forms the apex of a temple.
  • Antarala or vestibule – The transitional way that connects the Garbagriha and mandapa is known as Antarala.
  • Jagati – The raised floor on which the temple is built is called “Jagati”.
  • Vahana – Every god has a Vahana (vehicle) and every temple houses the Vigraha of the temple’s chief deity’s Vahana along with the Dhvaj pillar. 

Features of Nagara Style of Architecture

  • The entire temple is built on high stone platforms.
  • Generally, they do not have large enclosures and entrances.
  • The temple had only one peak or shikhara above the Garbagriha.
  • There was a Kalasha placed on the Shikara of a temple.
  • Sikhara(the tower) slowly bending inwards and capped by a spheroid plate with ribs around the edge (Amalaka) give the height.

Sub-Types of Nagara Temples Depending upon the shape of Shikhara

  1. Rekha Prasad – They have simple Shikara, square at the base and the walls curve inward to a point on the top. The top is called the “Rekha Prasad” type of Shikhara.
  2. Phamsana – They are broader and shorter than the Rekha Prasad type of Shikhara. Their roofs are made of several slabs that smoothly rise to a single point over the center of the building, unlike the Rekha Prasad ones which look like sharply rising tall towers. They do not curve inwards, rather, they slope upwards on a straight slope. In many North Indian temples, Phamsana was used for mandapa and the Rekha Prasad for Garbhgriha.
  3. Valabhi – A rectangular structure with a roof that extends into a round chamber. They are usually called wagon vaulted buildings.

Three sub-schools of Nagara architecture

Nagara architecture is classified into three broad sub-schools:

  1. Odisha School – The most obvious characteristic trait is the Shikara which extends vertically before curving inwards at the top. The main type is square while the upper reaches are circular. These temples have intricately patterned surfaces and normally open interiors. Unlike Nagara temples of the north, most Odisha temples have boundary walls.
  2. Chandel School – Unlike the Odishan style, these temples are considered as a single unit and have Shikaras that curved from bottom to top. There are a number of miniatures Shikaras arising from the central tower and towers that slowly rise up to the main tower cap both the patios and halls.
  3. Solanki School – They are related to the Chandel School but that they have carved covers that appear like a true dome. The distinctive feature of these temples is the minute and elaborate ornamental subjects. Except for the central shrine, one can find carvings on both the inner and outer sides of the walls.

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